DIY PODCAST GEAR*
MICROPHONES
RODE PODMIC
The PodMic is a broadcast-quality dynamic microphone optimized for incredible performance in podcasting, livestreaming, and other speech or vocal applications. Offering a rich, full-bodied sound, with an internal pop filter for minimizing plosives, internal shockmount for reducing vibrations, and a swing mount for easy positioning.
$199.99
SHURE MV7
$249.99
USB/XLR COMBO MICS
If you’re looking for versatility with your podcasting microphones, consider an XLR/USB microphone combo. If needed, you’ll be able to switch between an XLR or USB input, allowing your mic to go from your laptop to your mixer. If you’re recording via Zoom or Skype, highly consider one of these mics.
One benefit to USB microphones is that they’re really user-friendly and are the closest to a simply plug-and-play scenario.
Microphones that are strictly USB are only recommended for single use scenarios as the computer will usually only allow one of these types of inputs at any one time. In this case, your primary concern should be sound quality as there are a plethora of cheap USB mics to choose from.
USB VS. XLR MICROPHONES
Below is a detailed comparison table that outlines the key differences between USB and XLR microphones, focusing on various aspects that are crucial for users in making informed decisions based on their specific needs, particularly in contexts such as podcasting, music production, and general audio recording.| Feature | USB Microphones | XLR Microphones |
|---|---|---|
| Connection Type | Connect directly to a computer via USB port. | Require an audio interface or mixer to connect to a computer. |
| Ease of Use | Generally plug-and-play; recognized by computers without the need for additional drivers. | May require setup of audio interface and microphone settings. |
| Portability | Highly portable due to direct connection to computers and no need for external power sources. | Less portable as they require additional equipment (audio interface/mixer). |
| Power Source | Powered directly through the USB connection. | Often require phantom power (48V), usually supplied by the audio interface or mixer. |
| Audio Quality | Offers good quality suitable for podcasting, streaming, and home recording. | Higher quality and professional-grade audio; preferred for music production and professional use. |
| Latency | Can have noticeable latency depending on the computer and software setup. | Lower latency when used with a quality audio interface. |
| Versatility | Fixed audio processing and gain control, offering less flexibility. | Offers more control over the audio signal chain and processing. |
| Upgradeability | Limited to the built-in features of the microphone. | More flexible; components like cables, preamps, and mics can be upgraded individually. |
| Cost | Generally more affordable and does not require additional equipment. | Initial setup can be more expensive due to the need for additional equipment (audio interface, etc.). |
| Suitability | Ideal for beginners, podcasters, and streamers looking for a simple setup. | Suited for musicians, studios, and professionals requiring high audio quality and flexibility. |
CONDENSOR XLR MICROPHONES
Condenser microphones are known for capturing sound cleanly and clearly over a broad frequency spectrum. Given those attractive features, condenser mics suit vocalists very well. These versatile microphones tend to have low self-noise but require phantom power from a microphone preamplifier to work. Most audio interfaces have integrated preamps these days, so it’s unlikely you’ll need an outboard one to power your mic.
Condenser microphones are typically much more sensitive than other microphones like dynamic microphones. They’re good for capturing detail across the entire range of frequencies but make it much easier to pick up unwanted sounds in the background. For recording instruments, condenser mics are generally more detailed.
AT2020
$99.99
SE - 2200
$299.99
Samson Q2U
The Samson Q2U USB / XLR Microphone combines the convenience of digital and analog audio capture into one dynamic microphone. With XLR and USB outputs, the Q2U is the first choice for home/studio and mobile recording, as well as stage performance. The Q2U is simple to setup and outshines microphones that cost more than twice the price. It comes with a mic clip, desktop tripod stand with extension piece, windscreen, XLR cable and USB cable. . . A package with everything you need to start recording right out of the box.
$69.99
SHURE SM7B
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. Plus mounting bracket.
$399.99
DYNAMIC XLR MICROPHONES
Content creators who are familiar with recording and audio technology or don’t mind extra pieces of gear on their desks should consider investing in an XLR microphone. In fact, most top creators opt for analog XLR microphones and choose dynamic microphones. Dynamic mic capsules flatter most people and reject background noise from your keyboard or air conditioner. Remember that an XLR microphone cannot plug directly into your computer. You’ll need an audio interface or mixer to make it happen.
XLR, which stands for “eXtended Low Frequency Response,” was first introduced by Cannon in the mid-20th century. It quickly became the industry standard for connecting microphones and other audio equipment due to its reliable performance and superior sound quality.
The XLR connector consists of three pins – one for the ground connection and two for carrying the balanced audio signal. The balanced design of XLR helps in reducing noise and interference, resulting in a cleaner and clearer audio signal.
DYNAMIC VS. CONDENSOR MICROPHONES
Below is a detailed comparison table that outlines the key differences between dynamic and condenser microphones. This comparison should help users make informed decisions based on their specific needs in various applications, such as live performances, studio recording, broadcasting, and podcasting.
| Feature | Dynamic Microphones | Condenser Microphones |
|---|---|---|
| Principle of Operation | Use electromagnetic induction. A diaphragm moves in response to sound, causing a coil to move within a magnetic field, generating an electrical signal. | Use an electrically-charged diaphragm and backplate assembly. Sound waves cause the diaphragm to vibrate, changing the capacitance to produce an electrical signal. |
| Power Requirements | Do not require external power. | Require phantom power (usually 48V) or a battery due to their active circuitry. |
| Sound Quality | Generally produce a warmer, more robust sound. Excellent for capturing loud, powerful sounds without distortion. | Typically have a wider frequency response and higher sensitivity, making them ideal for capturing subtle nuances in vocals and instruments. |
| Durability | Highly durable and can withstand rough handling and high sound pressure levels. | More sensitive and fragile; require careful handling. |
| Suitability | Ideal for live performances, broadcasting, and recording loud instruments (e.g., drums, electric guitar). | Preferred in studio settings for vocals, acoustic instruments, and any application requiring detailed sound capture. |
| Cost | Generally more affordable and offer great value for a wide range of applications. | Can be more expensive, especially high-quality models, due to their precision and sensitivity. |
| Environmental Sensitivity | Less sensitive to temperature and humidity changes, making them versatile for various settings. | More sensitive to environmental conditions; may require controlled environments for optimal performance. |
| Self-Noise | Typically have lower self-noise due to their simpler design. | May have higher self-noise, especially in lower-cost models, due to their internal amplification circuitry. |
| Portability | Due to their ruggedness and no need for external power, they are highly portable. | Less portable as they often require additional equipment (e.g., phantom power sources). |
| Usage Examples | Live vocals, guitar amps, snare drums. | Studio vocals, acoustic guitars, overhead drum mics, room mics. |
This table aims to provide a comprehensive overview of the primary differences between dynamic and condenser microphones, helping users to make an informed choice based on their specific needs. Whether for live performances, studio recording, or broadcasting, understanding these differences is crucial in selecting the right microphone to achieve the desired audio quality and performance.
RECORDERS & MIXERS
DIGITAL FIELD RECORDERS
Digital audio recorders are compact, portable, and packed with features for podcasting. The Zoom P4 and the Zoom H6 are both equipped with 4 XLR channels and record to an SD card, making them an easy choice for podcasting. If you’re on the go or want to keep your setup simple, these will be great for you.
Both units are battery-powered using AA batteries, and also allow for external power scenarios. The Zoom P4 has a few more features than the H6, but the H6 is built to handle interchangeable microphone head capsules.
ZOOM PODTRAK P4
$149.99
ZOOM H6 RECORDER
$299.99
PYLE PMXU43BT.5
$89.99
Xenyx Q1204USB
The Xenyx Q1204USB is a 12-input, 2/2-bus mixer with Xenyx mic preamps and compressors, a USB audio interface, and a wireless option. It’s fitted with Behringer’s “British” 3-band EQ and, 60mm log-taper faders, and sealed rotary controls. Flexible routing, including two aux sends per channel and two subgroups with separate outputs, makes for easy integration into your setup, while the Xenyx Q1204USB’s onboard USB port gives you effortless connection to your computer for recording.
$189.99
ANALOG AUDIO MIXERS
An audio mixer is an electronic tool used to combine and mix audio. The device—also known as a sound mixer, mixing console, or mixing desk—lets you blend and adjust audio signals to create singular, compelling soundscapes.
Truthfully, these are being used less and less in the podcasting/streaming space and require a deep understanding of how to manipulate audio that is beyond the average beginner.
The Pros and Cons of Analog Mixers
Here’s a table showing the summary of the pros and cons of analog mixers:
| Pros | Cons |
| Analog mixers are more affordable | Analog mixers aren’t as versatile as digital mixers |
| Analog mixers are easier to use | You may need more hardware to add effects |
| Analog mixers are reliable | Analog mixers can be bulkier than digital mixers |
DIGITAL AUDIO MIXERS/INTERFACES
Digital audio recorders are compact, portable, and packed with features for podcasting. Purpose built for podcasting, the Zoom Podtrak P8 and the Rodecaster Pro 2 are both equipped with 4-6 XLR channels and record to an SD card, making them an easy choice for anyone entering this space. If you’re on the go or want to keep your setup simple, these will be great for you.
Both units are battery-powered using AA batteries (the Podtrak P8 can also be powered via USB or a power Bank), and also allow for external power scenarios. The Rodecaster Pro 2 has a few more features than the P8, but the Podtrak P8 has 2 additional XLR inputs that allow for more versatility in your setups.
ZOOM PODTRAK P8
$483.99
RØDECaster Pro II
$699.99
ACCESSORIES
HEADPHONES
Headphones prevent many mistakes and retakes. It can be weird to hear yourself speaking live at first, but you’ll get used to it. It’s highly recommended you get used to this. You don’t want to record something for an hour only to realize something wasn’t turned on or there was a loud buzz the whole time.
MIC STANDS/BOOM ARMS
Positioning your microphone properly will greatly improve your posture and sound quality. A decent boom arm or mic stand will allow you to easily move the microphone to a comfortable position and free up desk space.
POP FILTERS
A pop filter or windscreen will greatly minimize or prevent plosives. Put your hand in front of your mouth and say “power” – feel the air on the “p”? That’s what you’re protecting the mic from – those air blasts can easily send a mic into the red.
CABLES
An XLR cable might not seem like the most important thing, but it is often the “weak link” in your audio’s signal chain.
Some terms you might see are balanced or unbalanced, low or high impedance, conductor material, strand count, and more.
SHOCK MOUNTS
A shock mount will prevent or minimize unwanted sounds from tapping the desk to typing to moving your boom arm to small vibrations that you might not even notice. Most microphone makers also offer a compatible shock mount, and some even provide one with the mic.
COMPUTER/DAW
You need a computer to record and upload your .mp3 files. Most people will do just fine with what they have, but if you looking to upgrade I would invest in something that will last you a few years.
For beginners, the podcast editing software I recommend is Audacity or Garageband. They’re both free and relatively easy to use and learn. The next level up is Adobe Audition.
*Prices are accurate at the time this article was published.